This Business of Music, 10th Edition

Read ^ This Business of Music, 10th Edition PDF by * M. William Krasilovsky, Sidney Shemel, John M Gross, Jonathan Feinstein eBook or Kindle ePUB Online free. This Business of Music, 10th Edition Commentary on recent legislation, a reader-friendly summary of the laws on copyright duration, and much more insightful analysis plus fully updated lists of music organizations and important websites make This Business of Music indispensable for musicians, agents, managers, marketers, music publishers and groups, colleges and universities, and everyone who wants to make music and make money.. An entirely new chapter has been added, asking and answering the question Are there borders in cyberspa

This Business of Music, 10th Edition

Author :
Rating : 4.13 (785 Votes)
Asin : 0823077233
Format Type : paperback
Number of Pages : 510 Pages
Publish Date : 2013-11-09
Language : English

DESCRIPTION:

John M. As an adjunct professor at New York University and the State University of New York, Mr. Gross served as Vice President and General Counsel of the Entertainment Division of Commonwealth United Corp. As an entrepreneur and executive in Silicon Valley and Seattle, he has worked with Apple Computer and Sophisticated Circuits, Inc., among others. Sidney Shemel died in 1994, and his work on the first six editions of this book is still very much in evidence throughout the current text. Mr. . Shemel was Vice President of Music at MGM-UA and vice president and legal counsel to the United Artists Corporation’s record companies and its domestic and international music publishing subsidiaries. Mr. He has been a trustee of the Copyright Society of America and has served as music counsel to Warner Music and special music counsel to the United Nations and UNICEF. Gross, a graduate of Harvard Law School, practices entertainment and music law. He liv

Commentary on recent legislation, a reader-friendly summary of the laws on copyright duration, and much more insightful analysis plus fully updated lists of music organizations and important websites make This Business of Music indispensable for musicians, agents, managers, marketers, music publishers and groups, colleges and universities, and everyone who wants to make music and make money.. An entirely new chapter has been added, asking and answering the question "Are there borders in cyberspace?" The answer is yes, and this book clearly and concisely explains what they are and how to maintain them. (Book). The bible of the music industry with over 500,000 copies sold! Now in its tenth edition, This Business of Music has been revised and completely updated to reflect the latest changes in the ever-evolving music business

A must for anyone in or managing a band My first encounter with this book was in 1987 while I was both in and managing a band. I found this book indespenseable. The information is presented in clear, easy to understand chapters that I have not seen elsewhere. Debbie Harry and Chris Stein of Blondie were asked what advice they would give to up and coming bands and without hesitation they replied in unison to take a year off and go to school. Learn the business and then pursue it. Mu. "Essential to anybody in the business!" according to Doug DePew. My original copy of "This Business of Music" was one of the textbooks when I studied to be a recording engineer in the early '90s. Last year, a friend told me she wanted me to manage her music career. I knew an updated copy of this book would be essential with all of the changes in technology and the law since I studied the industry. This book is essential to anyone considering a career in music. It thoroughly explains all aspects of the busi. Music industry in one book Beata Amazing book! Really. I have bought it just because I'm writing my Master thesis on music market and this book has almost everything I need even though overview of contracts (probably I don't need it). The only thing I really miss are diagrams. I found few of them but I would like to have some more of them, however, some parts of the book for sure compensates the lack of some diagrams. So if you are just interested in such kind of books, or y

As an entrepreneur and executive in Silicon Valley and Seattle, he has worked with Apple Computer and Sophisticated Circuits, Inc., among others. Mr. Mr. . Gross, a graduate of Harvard Law School, practices entertainment and music law. As an adjunct professor at New York University and the State University of New York, Mr. Krasilovsky taught courses on the music business and on ethical issue important to the entertainment industry. William Krasilovsky is an attorney

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