Music for Sight Singing
| Author | : | |
| Rating | : | 4.94 (571 Votes) |
| Asin | : | B00BIDM7ZY |
| Format Type | : | |
| Number of Pages | : | 347 Pages |
| Publish Date | : | 2017-10-10 |
| Language | : | English |
DESCRIPTION:
Real music exercises allow readers to practice sight singing and develop their “mind’s ear” — the ability to imagine how music sounds without first playing it on an instrument. Effortlessly read all four common clefs. Sight sing melodies in any major or minor key, and in any diatonic mode. The ninth edition continues to introduce a host of important musical considerations beyond pitch and rhythm- including dynamics, accents, articulations, slurs, repeat signs, and tempo markings. Improvise effectively from a variety of background structures such as a harmonic progression or an underlying contrapuntal framework. Understand common musical symbols and terms. The book’s arrangement of simple to complex exercises lays the foundations for success. Learning GoalsUpon completing this book, readers will be able to: Fluently read rhythms in simple and compound meters, including those in relatively unusual, irregular, or changing meter signatures. To purchase the text with MySearchLab, order the package ISBN: 020595524X / 9780205955244 Music for Sight Singing Plus MySearchLab with eText -- Access Card Package Package consists of: 0205938337 / 9780205938339 Music for Sight Singing 0205955053 / 9780205955053 MySearchLab with Pearson eText -- Valuepack Access Card -- for Music for Sight Singing . Recognize and sing important harmonic features such as dominant seventh a
This text responds very nicely to this challenge; we have the freedom to set the pace as needed to sufficiently challenge, but not overwhelm, the student population.” - William Harbinson, Appalachian State University “The most important feature of any aural skills and sight-singing book is that it includes real musical examples. I believe it is more of a time issue (lack of practice time, or student choice to avoid practice) than a curriculum pacing issue. Brasky, University of South Florida &ldqu
Jamie said Buy it used, if you can get it for. Buy it used, if you can get it for a cheaper price. This book will stay with you through several semesters of Ear Training and Sight Singing, so treat it well. It is worth it to have half of the solfege already written in, and most musicians who are diligent enough to write in solfege know to do it in pencil, so you can remove it if needed.. "Great Book for ear training practice" according to Johnny. This book helps me work on my ear training skills during music harmony class, since I will need to keep using those skills for transfer, having this book will help me.. Zech said I love using this book for my in class Ear training. I love using this book for my in class Ear training. The instructional progresses very well. Great for college students using the solfage form to sing.
Rogers has presented papers at national and international conferences, including meetings of the Society for Music Theory, the Society for Music Perception and Cognition, the International Conference on Music Perception and Cognition, and the Conference on Interdisciplinary Musicology. Professor Rogers received her Ph.D. Several recent publications may be found in Music Theory Onli