On the Margins of Modernism: Xu Xu, Wumingshi and Popular Chinese Literature in the 1940s (Edinburgh East Asian Studies)

Download ^ On the Margins of Modernism: Xu Xu, Wumingshi and Popular Chinese Literature in the 1940s (Edinburgh East Asian Studies) PDF by ^ Christopher Rosenmeier eBook or Kindle ePUB Online free. On the Margins of Modernism: Xu Xu, Wumingshi and Popular Chinese Literature in the 1940s (Edinburgh East Asian Studies) This groundbreaking book, the first book-lenghth study of Xu Xu and Wumingshi in English or any other western language, re-establishes their importance within the popular Chinese literature of the 1940s. Xu Xu and Wumingshi were among the most widely read authors in China during and after the Second Sino-Japanese War (1937-1945), but although they were an integral part of the Chinese literary scene their bestselling fiction has been given scant attention in histories of Chinese writing. With in-

On the Margins of Modernism: Xu Xu, Wumingshi and Popular Chinese Literature in the 1940s (Edinburgh East Asian Studies)

Author :
Rating : 4.10 (965 Votes)
Asin : 0748696369
Format Type : paperback
Number of Pages : 192 Pages
Publish Date : 2017-03-14
Language : English

DESCRIPTION:

Christopher Rosenmeier is a Lecturer in Chinese at the University of Edinburgh.

This groundbreaking book, the first book-lenghth study of Xu Xu and Wumingshi in English or any other western language, re-establishes their importance within the popular Chinese literature of the 1940s. Xu Xu and Wumingshi were among the most widely read authors in China during and after the Second Sino-Japanese War (1937-1945), but although they were an integral part of the Chinese literary scene their bestselling fiction has been given scant attention in histories of Chinese writing. With in-depth analyses of their innovative short stories and novels, Christopher Rosenmeier demonstrates how these important writers incorporated and adapted narrative techniques from Shanghai modernist writers like Shi Zhecun and Mu Shiying, contesting the view that modernism had little lasting impact in China and firmly positioning these two figures within the literature of their times.

About the AuthorChristopher Rosenmeier is a Lecturer in Chinese at the University of Edinburgh.

OTHER BOOK COLLECTION