Reclaiming Female Agency: Feminist Art History after Postmodernism
| Author | : | |
| Rating | : | 4.69 (752 Votes) |
| Asin | : | 0520242521 |
| Format Type | : | paperback |
| Number of Pages | : | 486 Pages |
| Publish Date | : | 2016-07-29 |
| Language | : | English |
DESCRIPTION:
Garrard that challenge art history from a feminist perspective. Garrard, Sheila ffolliott, Darcy Grimaldo Grigsby, Ruth E. Following their Feminism and Art History: Questioning the Litany (1982) and The Expanding Discourse: Feminism and Art History (1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Iskin, Geraldline A. Ravenal, Lisa Saltzman, Mary D. Chave, Julie Cole, Bridget Elliott, Mary D. Framed by a lucid and stimulating critical introduction, twenty-three essays on artists and issues from the Renaissance to the present, written in the 1990s and after, offer a nuanced critique of the poststructuralist premises of 1980s feminist art history. Sheriff. Contributors: Allison Arieff, Janis Bergman-Carton, Babette Bohn, Norma Broude, Anna C. Johnson, Amelia Jones, Maud Lavin, Julie Nicoletta, Carol Ockman, Erica Rand, John B. This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D
The authors lay out a strategy for future art historians and theorists." . "Extremely stimulating and useful
Margaret Creekmore said Five Stars. Good condition. "RFA---Textbook" according to Busymomma. I had to order this textbook at the last minute, due to my professor changing her mind once class started. Amazon was AMAZING at getting it out to me quickliy. Although the first one arrived damaged, they allowed me to keep it until the replacement was sent. This made it so I did not fall behind in the class. Thank you AMAZING Amazon!. Excellent academic text I got a good sense of feminism, the history of feminist theory, and the history of art from reading this text. I will never see art history the same way. Spans a range of dates, media, artists and critics. I am an artist, not a theorist, but this book was accessible enough for me to use it to better understand my place in contemporary art practice. The e