Exhibiting the Postmodern: The 1980 Venice Architecture Biennale

^ Read * Exhibiting the Postmodern: The 1980 Venice Architecture Biennale by Léa-Catherine Szacka à eBook or Kindle ePUB. Exhibiting the Postmodern: The 1980 Venice Architecture Biennale It has been in this afterlife that the exhibition came into its own.. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to, often with an assumed familiarity, by people who forget that they never actually saw it themselves, the exhibition has acquired a formidable “afterlife,” as Léa-Catherine Szacka calls it. A remark

Exhibiting the Postmodern: The 1980 Venice Architecture Biennale

Author :
Rating : 4.92 (690 Votes)
Asin : 8831726722
Format Type : paperback
Number of Pages : 264 Pages
Publish Date : 2013-06-26
Language : English

DESCRIPTION:

Her research focuses on the theory and history of architectural exhibitions. She is currently an associate professor at the Oslo School of Architecture and Design (AHO) and a member of the Oslo Centre for Critical Architectural Studies (OCCAS). About the AuthorLéa-Catherine Szacka is an architect, architectural historian, and writer based in Paris and Oslo.

She is currently an associate professor at the Oslo School of Architecture and Design (AHO) and a member of the Oslo Centre for Critical Architectural Studies (OCCAS). . Her research focuses on the theory and history of architectural exhibitions. Léa-Catherine Szacka is an architect, architectural historian, and writer based in Paris and Oslo

It has been in this afterlife that the exhibition came into its own.. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to, often with an assumed familiarity, by people who forget that they never actually saw it themselves, the exhibition has acquired a formidable “afterlife,” as Léa-Catherine Szacka calls it. A remarkable investigation on the exhibitions that have shaped contemporary architecture. Th

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