Mondrian (Basic Art Series 2.0)

Download * Mondrian (Basic Art Series 2.0) PDF by ! Susanne Deicher eBook or Kindle ePUB Online free. Mondrian (Basic Art Series 2.0) Abstract pioneer: Harmonies in red, yellow, and blue A key figure in the international avant-garde, Piet Mondrian (1872–1944) was at once an extraordinary painter and leading art theoretician whose influence resonate to this day. With stints in Amsterdam, Paris, London, and New York, Mondrian drew upon the modern metropolis and modern music, especially jazz, as

Mondrian (Basic Art Series 2.0)

Author :
Rating : 4.12 (501 Votes)
Asin : 3836553309
Format Type : paperback
Number of Pages : 96 Pages
Publish Date : 2015-10-28
Language : English

DESCRIPTION:

HP said I like Mondrian. This is a nice book to have. Taschen is a well-known publisher of art books. I like Mondrian. This is a nice book to have at a very affordable price. It arrived on time and in good condition. No complaints whatsoever.. Richard Gulezian said Five Stars. Excellent book!. Charles R. Pitts said fine book. fine book

Since 1997 she has been professor of History of Art and Culture, Aesthetics, and Architectural and Design Theory at the University of Wismar. . Susanne Deicher studied in Göttingen and Berlin, where she gained her doctorate in 1993 with a thesis on Piet Mondrian

Language Notes Text: English (translation) Original Language: German

Abstract pioneer: Harmonies in red, yellow, and blue A key figure in the international avant-garde, Piet Mondrian (1872–1944) was at once an extraordinary painter and leading art theoretician whose influence resonate to this day. With stints in Amsterdam, Paris, London, and New York, Mondrian drew upon the modern metropolis and modern music, especially jazz, as points of inspiration. Coining the term “Neo-plasticism’, he pursued a style of painting composed only of primary colors against a grid of black vertical and horizontal lines and a white base background.Mondrian’s vision was that this essential painting would help to achieve a society in which art as such has no place, but rather exists for the total realization of “beauty”. In 1917, he co-founded De Stijl, originally a publication, and subsequently a circle of practitioners, committed to a strictly geometrical art of horizontals and verticals.With key works and s

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